Globe Theatrical Supply Resource Center 712/255-0972
Return to PRODUCT CATEGORIES directory. View a partial listing of LIGHTING INSTRUMENTS or LAMPS.
PERFORMANCE LIGHTING CONTROL
For combo, touring show, club, theatre, school, or "house and road"
use, the GTS selection includes the price and capability you need.
Units are compact, many portable, easy to install and use, many priced
with 2 grounded "Edison" sockets per channel (other connectors
available). GTS offers a very wide range of analog and digital systems
in many fixed and portable configurations. Listed units we have found
most suitable for most needs and budgets. Other systems information is
available on request.
Excepting Scenemasters all are modular expansion systems which permit
growth and change with YOUR NEEDS, avoiding expensive replacement. Most
are digital systems using small diameter DMX control cable and allowing
pre-programming of a few scenes to major productions for selective
cueing with the push of a button. If you use repetitive lighting
sequences, more than 3 dozen dimmers, or require fast scene changes,
you need digital storage. If your analog equipment includes 12 or more
dimmers and is showing its age, consider an interface control module to
upgrade your console with minimum cost. All listed dimmers are suitable
for incandescent, quartz, and simple inductive lamps. Request
assistance with fluorescent, neon, display and architectural
applications.
Begin your research by printing a copy of this file for each person
involved with production or finance decisions, then contact GLOBE
THEATRICAL for planning assistance and product brochures. GTS does no
installations, however, your local electrician will have no difficulty
installing current modular units and we're here to discuss optimal
layouts. When most likely modules selections have been made, request
installation/operation manuals for a detailed understanding and
comparison of the equipment. Request information regarding integrated
or separate architectural lighting or other purpose control systems.
POWER DISTRIBUTION <LD>
Outlet Types 
Clockwise from top-left:
PBG = Parallel Blade Grounded, usually 20 amps = 5-20R
GSP = Grounded Stage Pin, usually 20-30 amps = 2P-20G or 2P-30G
TS = Terminal Strip, wire ends screw locked between mounting strips
GTL = Grounded Twist Lock, usually 20-30 amps = L5-20R or L5-30R
Other connector types available.
Distribution Strip
Most stage distribution "outlet" (also called "power") strips or boxes
are custom made per venue. Planning requires strip length, outlet
quantity and type, and whether flush mounted outlets or outlets on drop
cords (usually 18" long). See UNDERSTANDING STAGE LIGHTING, Power On for an introduction. For portable applications, consider standard or mini outlet boxes which mount with C-clamps.
ESCS12 
DvDM406U
Combination DMX dimmer (priced with one PBG outlet per channel) Scrimmer Stiks or Mini-boxes also
serve well with low ceilings or other limited space applications. Other outlets available.
LODESCS6/PBG (D4x6) SCRIMMER STIK 600 4 channels at 600 watts. 855.00
LODESCS12/PBG (D2x12) SCRIMMER STIK 1200 2 channels at 1,200 watts. 740.00
LODESCBS12/PBG (D6x12) SCRIMMER BIG-STIK 1200 6 channels at 1,200 watts. 2,640.00
LODESCBS24/PBG (D2x12) SCRIMMER STIK 1200 3 channels at 2,400 watts. 2,115.00
LODDvDM406U (D4x10) MINI-BOX 4 channels x 1,000w, yoke $500.00
Ask about LITErig dimming systems or low power switched strips.
Standard outlet boxes, whether hung or in floor "pockets" are custom
designed.
GTSAID: For those interested, the light control units are coded as follows:
CATEGORY CODE KEY: LO- light contoller, LOM multiplexer or demultiplexer, LOD dimmer, LOR relay, LOC control console, LB control cable
CLASSIFICATION CODE KEY: (A analog, D digital, preset scenes / channels x 100 watts per channel)
Examples: (D2/24) describes a 2 scene, 24 channel console which issues digital (most commonly DMX) control signals.
(D24x12) describes a 24 channels dimmer pack, with 1,200 watts
per channel light powering capacity, which responds to digital control
signals. |
ANALOG DIMMERS <LOD>
DvSM1DUG 
DvSM6DUG 
back
Scenemaster
Economical, yet solidly built 6 channel x 1,000 watts analog units.
Scenemasters are self-contained dimmers with face-plate controls.
Controls include channel "bump" momentary buttons (full light output
while button is depressed), channel, scene, and master dimmer faders
(for dimming), and black-out switch. Scenemasters include 2 input power
sockets which accept common PBG (parallel blade grounded) power cords,
12 PBG outlets (2 per channel), fuses. For moderate duty, easy
portability operation, low budget applications. Twelve or fewer 500
watts units are suitable for classroom demonstrations, portable
photo/video, club, church or outdoor lighting.
DvSM1DUG (A1/6x10) SCENEMASTER I $660.00
Non-expansion single module, single-scene, 1000w/ch {6000w capacity}.
DvSM6DUG (A2/6x10) SCENEMASTER II-Plus $850.00
Two-scene version of Scenemaster I, timed cross-fade, slave expandable to add lighting units.
Also other analog consoles, including several of the following DMX
listings, analog to digital interfaces, and other analog light control
components.
DMX DIGITAL UNITS
SMALLER / STARTER SYSTEM
COMPONENTS
Systems utilizing 12 to 24 channels, 14,400 - 57,600 watts (120 - 480 amps), 24 - 96 lighting units.
Consoles <LOC>
EMCC12 
DvIQ512
12 channels, master 512 dimmers addressable per block of 12. Excellent for small venues, television or rehearsal studios.
EMCC12 (D1/12) 1-SCENE MANUAL $525.00
DvIQ512 (D1/12) I. Q. 1-SCENE MANUAL $760.00
12 scene memories, pile (add to) or crossfade (changing) scenes,
blackout, suitable for remote control lighting instruments, more. Also
available for wall or 19" rack mount.
DvTM24 
DvSB24
Techmasters include 2 manual scenes and crossfaders, per channel momentaries, master fader, 255 step programmable chase.
Sublimes add 24 submastered memory scenes.
DvTM12:SB12 (D2/12) TECHMASTER 12 : SUBLIME 12 12 channels $950.00 : $1,525.00
DvTM24:SB24 (D2/24) TECHMASTER 24 : SUBLIME 24 24 channels $1,525.00 : $1,900.00
EML12
Minstrel Lites include 2 manual scenes with time adjustable
crossfaders, channel momentaries, master and blackout, 18 submastered
memory scenes, 48 step timed and dimmable chase.
EML12 (D2/12) MINSTREL LITE 12 12 channels 1,390.00
EML24 (D2/24) MINSTREL LITE 24 24 channels 1,960.00
Dimmer
Packs <LOD>
For overhead mounted dimmers, see Scrimmer Stik and Mini-box listings with POWER DISTRIBUTION above.
DvDM1224
Dimmermasters include switch (full power) mode, DMX terminator, and PBG outlets, other outputs on request.
DvDM624U (D6x24) DIMMERMASTER 6x2 6 channels x 2,400 watts $2,175.00
DvDM1224U (D12x24) DIMMERMASTER 12x2 12 channels x 2,400 watts $3,325.00
DvDM2412U (D24x12) DIMMERMASTER 24x1 24 channels x 1,200 watts $4,475.00
Also wall mount and other Dimmermaster configurations.
EMVP12
High reliability dimmers include several self-protection
circuits, in compact floor/on wall/in wall mountable cabinets, terminal strip output,
optional worklight/emergency remote switching available. Other dimmer wattages and output
connectors on request. 14¼" wide x 47½" high x 4" deep.
EMVP6/TS (D6x24) MVP 6x2 6 channels x 2,400 watts. 2,225.00
EMVP12/TS (D12x24) MVP 12x2 12 channels x 2,400 watts. 3,400.00
MEDIUM SYSTEM COMPONENTS
Systems utilizing 36 to 48 channels, 43,200 - 86,400 watts (360 - 720 amps), 72 - 192 lighting units.
Consoles <LOC>
DvTM36:SB36 (D2/36) TECHMASTER 36 : SUBLIME 36 $1,900.00 : 2,375.00
DvTM48:SB48 (D2/48) TECHMASTER 48 : SUBLIME 48 $2,375.00 : 2,850.00
EML36 (D2/36) MINSTREL LITE 36 2,455.00
EML48 (D2/48) MINSTREL LITE 48 3,010.00
DvSTARPORT
DvSTARPORT (D0/512) COMPUTER INTERFACE $950.00
Compact printer port module allows DMX in & out to dimmers through
your computer using Windows 95 (or later) and the enclosed software. Up
to 512 channels, 512 dimmers, 512 cues may be stored or transported on
disk and may be used in conjuction with a separate console. Also USB
version, same price.
Dimmer Packs <LOD>
EMX24
MX dimmer racks are available with space for 12, 24, or 48 dual-channel
dimmer modules. Select as many modules as required. The following pricing is for 2,400 watts dimmers. Lower
wattages and 6,000 watts dimmers are also available. Cabinet size varies with contents.
EMX24/TS (D24x24) MX 24x2 12 dual-dimmer modules provide 24 channels x 2,400 watts. 10,250.00
EMX48/TS (D48x24) MX 48x2 24 dual-dimmer modules provide 48 channels x 2,400 watts. 13,650.00
LARGE SYSTEM COMPONENTS
Systems utilizing 60 or more channels, 72,000 or more watts (600 or more amps), 120 or more lighting units.
Consoles <LOC>
DvTM60 (D2/60) TECHMASTER 60 $2,850.00
EML60 (D2/60) MINSTREL LITE 60 $2,725.00
EBJ36
EBJ24 (D2/24) BIJOU 24 from 5,700.00
EBJ48 (D2/48) BIJOU 48 from 7,100.00
EBJ72 (D2/72) BIJOU 72 from 8,050.00
Bijou is the system for most larger venues. Capable of controlling and
linking with nearly every available type of remote controllable
performance unit, including several dimmers linked to each control
channel.
Includes (partial list):
512 channel output (2 patch tables allow 1024 DMX devises)
2 dual crossfaders and GO/STOP/REV sets
2500 programmable macros, 50 100-step submaster effects
288 submasters, 1000 cue capacity
SVGA monitor port, 31/2" disk drive, printer port
Options (partial list):
MIDI, SIMPTE, RS232, remote control (including wireless), remote video
Bijou Plus trackball programming expansion for remote control lighting and effects units
Dimmer Packs <LOD>
EMX96/TS (D96x24) MX 96x2
48 dual-dimmer modules provide 96 channels x 2,400
watts. 24,170.00; 21" wide x 84" high x
21" deep
Request specfications and pricing for 6 kw, 12 kw, and 24 kilowatt
dimmers. Request specification sheets for review of many additional and
unique features.
INTERFACE & MODERNIZE <LO>
Have an old system that is dying, in need of expansion, or ready for
conversion to digital control? Here is an easy way to turn the corner
without scrapping serviceable components. A digital to analog interface
permits a new digital console to control old analog and/or new digital
dimmers in just about any combination while allowing capacity for
further dimmer or other digital units expansion.
Add a DMX console or Starport (with your computer) and you're ready.
(Also Mantrix, and Colortran-192 decoders to 192 channel capacity.
Virtually any combination of analog, AMX, DMX, CD80, MIDI, etc. is
possible. Request assistance including custom inputs and/or outputs.)
Multiple units may be series connected. Request information about other
decoder protocols (languages) and analog to digital encoders.
MDvMTXDE48 (DD48A) DMX to ANALOG DECODER 48 channel adjustable 0-28v DC output, 252 channel selection. $760.00
This unit interfaces to every analog dimmer model we know. For -28 to 0 negative output add $285.00
HOUSE LIGHTING CONTROL
LOCED100, LOCED300, LOCED400 
LOCETWILITE
For auditorium, church, ballroom, or club, various wall consoles can be
parallelel linked with the performance console to provide convenient or
emergency houselight control. Request details.
CONTROL CABLES & ROUTING <LB>
Request analog cable information.
--5XLRM/F DMX CABLE
5-pin DIN. Here priced in common lengths with male and female
connectors on opposite ends. Other brands and configurations available.
Dv5/-- 2' $45.00, 25' $75.00, 50' $95.00, 100' $115.00
DvDMXTERM DMX TERMINATOR PLUG $30.00
Also splitters, multi-ports, routing isolators, connector boxes, more.
Request cable adapter, configuration, and final pricing assistance.
GTSAIDS: UNDERSTANDING STAGE LIGHTING
Overview
All performance light control systems require a power
source, distribution wiring from the dimmers to the lighting units,
dimmers, and a control panel. Usually the most expensive portion is the
power source and distribution, the dimmers are next, and the control
console the least expensive. If a desired system cannot be
initially purchased in its entirety, budget for power source, distribution, and
console. This enables easy later addition of more dimmers and lights as
budgets permit.
THIS is where YOUR lighting system begins. Whether permanent,
semi-permanent, or portable, the most important question is "Where is
the power coming from?" Realize that most stage lamps are in increments
of 500 watts which is about 5 amps of power at 110 volts. This roughly
equates as 100 to 120 amps per every 25 lighting instruments. This
reality usually determines the approach to portable systems, but even
permanent installations in older venues may require additional power to
the breaker boxes at the lighting location. Simply stated, available
power dictates quantity of lighting units which then allows selection
of instrument locations.
Open area (non-proscenium) locations permit enormous lighting freedom
and commonly require custom power distribution planning. Proscenium
stages require minimum three lines (usually four) of lighting (outlet
strips): along the back drape (background lighting), one or more inside
the proscenium arch (lighting most of the stage), and in front of the
stage (lighting the stage between and in front of the proscenium
opening). These latter down stage lighting outlets are generally
located near the auditorium ceiling and/or along the auditorium back
wall and generally include outlets numbered starting with dimmer
circuit 1. Although any sequence can be arranged, traditionally the
outlets are numbered sequentially from stage left to right and from
down stage to up stage with numbers printed by the up stage facing outlets,
allowing on stage left to right reading. Multiple outlets per circuit
are sequentially repeated; e.g., from stage left for 24 1,200 watts
dimmers:
(auditorium) 1 2 3 4 5 6 1 2 3 4 5 6
(inside arch) 7 8 9 10 11 12 7 8 9 10 11 12
(mid-stage) 13 14 15 16 17 18 13 14 15 16 17 18
(back drape) 19 20 21 22 23 24 19 20 21 22 23 24.
This allows plugging 48 500-600 watts lighting units.
Next, it is necessary to decide the number of lights per dimming
circuit. Ideally, every lighting designer prefers each fixture be
independently controlled; but, since the dimmers are generally the most
expensive control unit and are in increments of 1,200 watts per
circuit, economics encourages planning minimum two instruments per
circuit (like the above example). In small venues this is advisable. Larger facilities should
consider 2,400 or 3,600 watts (capable of 4 to 7 fixtures) or larger
circuits. Decide which circuits to allocate at which stage depths. This
is the final decision necessary to determine the quantity of outlets in
each distribution strip.
Other than structural support planning (request assistance), consider
outlet type. Anywhere rough handling, including traffic vibration, is
projected, use a twist lock. Drop-cords usually include twist lock or
stage pin receptacles. Mounted parallel blade grounded ("household")
outlets permit easy use with table lamps, holiday decorations, special
effects equipment, etc. without an adapter cable, and should be
considered for small to moderate sized installations.
When ready for further assistance, contact Globe Theatrical 712/255-0972.
Lights Up
Excepting limited power Scenemaster analog portable dimmers, dimmer
"packs" or rack cabinets include several remote controlled dimmers in a single unit which is
separate from the control console. For easy input and output wiring,
generally the dimmers are located on or near the stage and
the power source breaker panel. Unless the packs are to be used
portably, the input cables are normally "hard-wired" from the breaker
to pack terminal posts. For portable applications the pack wattage
usually determines the input connections - request assistance. The
distribution wiring may also be hard-wired from dimmer terminal strips
to the lighting locations. If portability or manual patching is
desired, various types of outlets may be mounted on the pack. (Note:
Manual patching is the act of physically removing a distribution cable
plug from a dimmer outlet then "patching" by plugging it into an outlet
controlled by a different dimmer. Many digital dimmer/console systems
now permit digital patching to reassign lighting outlets to any console
channel without physically moving any wiring.)
A basic system includes a dimmer for each distribution circuit, and a
console manual control channel for each dimmer; i.e., 24 dimmers need a
24 channel console. Large complex systems may be configured to allow
several electronically assignable dimmers to be controlled by any
console manual channel. The exception is computer monitor "full
channel" (512 or more channels) preprogrammed cues consoles which
require "writing a script program" of cues to be stored then selected
on screen and activated when needed.
There are many combinations of dimmer and console capabilities. The
following terminology should prove helpful when analyzing component
capabilities.
LIGHTING CONTROL CLASSIFICATION: Lighting
dimmers (and other electronic controllers) can be initially classified
by several key design characteristics which determine specific
application suitability. Consider first:
MODULAR: A component system including minimally a
power-pack/cabinet-dimmer, usually with no controls, and a control console
which remotely controls the dimmers via cable(s).
EXPANDABLE: Modular system allowing periodic addition of
power-packs, more sophisticated controllers or other components, such
as video monitors, disk drives, keyboards, audio sources, etc.
MANUAL OPERATION: Manual control required. All switches and
channel faders (dimming controls) must be preset before each scene is
required. 1-scene control requires dimming modification as the scene is changed; 2-scene consoles permit pre-setting the next dimmer settings before cross-fading to that scene.
MEMORY STORAGE: Built-in computerized control circuits. Many
scenes may be preset and saved to memory for extended storage and rapid
recall. Most systems include one or two sets (scenes) of manual faders
allowing manual console operation by temporary users wishing to avoid
learning memory programming.
ANALOG REMOTE CONTROL: A separate set of 2-3 wires is needed to carry variable low voltage (usually 0-10v) control to each dimmer.
DIGITAL REMOTE CONTROL SIGNAL: Many linked dimmers (up to 1,000) may all be computer addressed (multiplexed) through the same 3 to 7 wire control cable.
MULTIPLEX: Digital control signal code systems (languages).
Available formats include DMX512, AMX192, CD80, CMX, CDM, FOM,
Micro-Plex (MPX), and others. Some dimmers can be set to read different
codes or communicate via fiber-optic cable.
ELECTRONIC PATCHING: The capability of a dimmer to accept
control channel assignments from the control console, thus eliminating
the need for a manual patch board to reassign control channels to
output destinations.
INTERFACE: Electronic circuit which allows electrical connection
or electronic communication between different devices. Most common are
DA (digital to analog) decoders, SMPTE, MIDI or RS232 ports, audio
inputs, serial jacks, and various computer hardware ports.
INTERCOMPATIBLE: All expandable systems GTS lists minimally use
analog 0-10 volts, DMX512, or MIDI control signals, allowing
mix-&-match use with any components using the appropriate same of
these increasingly most common standards. Many of the listed components
utilize more than one control format, allowing greater expansion or
system revision adaptability, including effects, motorized light units,
and powered stage mechanicals to be controlled from the light board.
HYBRID SYSTEM: Mixed system including analog & digital
modules. Usually such systems include a demultiplexer which converts
digital control signals to analog outputs allowing inexpensive control
conversion using a digital console while retaining older analog dimmers.
KEEP IN MIND that GTS handles many unlisted brands of light control and
associated equipment. No matter how old or new your current equipment
check with GTS for conversion/expansion assistance.
Return to PRODUCT CATEGORIES directory. View a partial listing of LIGHTING INSTRUMENTS or LAMPS.
This file was last partially updated 9/17/08.